The Casual Vacancy by J.K. Rowling
Little, Brown, 2012. ISBN 9781408704202.
(Age: Senior secondary - adult). Topping bestseller lists and in
prime position in bookshops, how good is J.K Rowling's, A Casual
Vacancy and does it warrant such attention? And of what appeal does
it have to young adult readers?
Most Australians, especially YA readers, would not be interested in
this book when hearing that the plot is about a vacancy on an
English parish council. Charismatic councillor, Barry Fairbrother
has dropped dead and the two council factions are trying to fill his
vacancy. Built from this rather dull-sounding plot outline, however,
is a wickedly constructed, contemporary tragi-farce. Depending on
the view of different characters, Barry is either a hero or a
disengaged, possibly devious, cipher. He is devoted to helping
disadvantaged young people, especially Krystal Weedon from the
notorious adjoining housing estate, the Fields. The differing
opinions about Barry are representative of the novel's style. There
are, not only different perspectives on characters, but also an
array of viewpoints. This is one of the strengths of Rowling's
writing and is also an entry point into the book for younger
readers. We are given insight into the jaded lives of Barry's peers,
the parents of older teenagers, but we also hear the absorbing
versions of their children's angst, betrayals and tentative hopes.
At school, home and in the claustrophobic community we learn about
the secret life of teens, most of whom engage in extreme behaviours
of self-harm, online intimidation, manipulative sex or explicit drug
taking. Fats Wall is the intelligent son of the deputy headmaster
and school counsellor. In trying to find authenticity he experiments
and destroys. His mate, Andrew, is obsessed with his fantasies about
new girl, Gaia, but has an innate decency in spite of his abusive
father. Krystal loves her young brother, Robbie, but how can she
protect him from her prostitute, addict mother?
Mature young adults will be interested in reading about the, ideally
vicarious, experiences of Rowling's young characters. The author has
a readymade YA readership because of Harry Potter and she
capitalises on this with her storytelling prowess, albeit now
clearly for the adult market, to keep their loyalty.
Joy Lawn