Divine Clementine by Hayley S Kirk
Random House Australia, 2012. ISBN: 9781864718997.
(Age: 14+) Highly recommended. On the second page of Divine
Clementine, Clementine is witness to the tragic and abrupt
death of
Stella, her best friend and aunty. We then journey to a very dark
place
with Clementine as she struggles with trauma and denial. For the
first
part of the novel, this narrative is often uncomfortable, often
heart-breaking, yet always genuinely poignant. Clementine lashes out
at
everyone with cruel, cutting declarations, and scary, harmful
actions.
We hang on, and hope something will occur that lets her see her life
is
worth it.
The secondary characters are built beautifully: Clementine's
parents,
Theo the confused boy-next-door, Stella's siblings and parents, and
even Stella who is flighty, unpredictable, and mysterious. Stella
has
totally coloured Clementine's perception of the people who love her.
Only when Clementine has access to Stella's journals do we see Aunty
Stella was not always truthful or fair to the other members of her
family. These big reveals impact further on Clementine, and she
sinks
still deeper into depression, and distances herself even more from
those who love her.
In the last third of the book Clementine is forced to spend her
summer
holiday with her aunt and uncle on their farming property. Here I
found
myself questioning the plot devices used by the author. Although it
unfolds slowly and realistically enough, Clementine's growing
affection
for Thom, the young man from the next door farm, seems to have an
almost too-good-to-be-true cathartic effect on her. Some time has
passed since Stella's death, and the introduction of gorgeous nieces
and nephews whose innocent and nonjudgmental attitudes soften her
hardened heart, but chiefly it is Thom who swoops in and saves the
day.
And I worry about Clementine replacing one person with another, so
quickly, and so completely. I know I said earlier in the review that
she needed someone to show her life can be good, but this just
seemed a
little too easy.
However, it is the character of Clementine who holds this book
together. Her voice is strong and feisty, and she is portrayed
beautifully as honest, funny, and clever. So it's quite easy to
dismiss
these little niggles and accept Clementine has emerged with a
clearer
head, and a greater understanding of the fallible nature of people.
Unfortunately Divine Clementine might be overlooked since it
deals with
topics that seem to be everywhere in YA Lit this year: Death, grief,
loss, mental illness, and family dysfunction. However, it holds its
own
in the company of others.
Trish Buckley