Ballad for a mad girl by Vikki Wakefield
Text, 2017. ISBN 9781925355291
(Age: 13+) Highly recommended. Death. Country towns. Thriller. One
night walking across the pipe outside the town, risk-taking Grace
has a moment of fear. She has done this many times before, holds the
record for getting across, but this time she freezes, the headlights
from the kids' cars seem to go off, and she is plunged into darkness
after seeing the words Hannah Holt drawn on the underside of the
pipe, and one of the Hearts boys must sidle across to help her get
back. Hannah disappeared twenty years ago, and although people
thought they knew who killed her, William Dean was never charged but
killed himself a year later. Grace, the prankster, the girl who
cries wolf, feels compelled to find out more about what happened to
Hannah Holt and this course seems linked with her own grief for her
mother, killed in a road accident two years before. Grace invents a
way of getting inside the Holt house, but Mrs Holt suspects her
motives, having plenty of oglers come to her door in the past.
So begins a tightly drawn story of compulsion, as Grace feels
directed by the dead girl, but trying to tell her friends draws
derision as they think it just another of Grace's pranks.
Her father and brother are concerned for her changed appearance and
strange behaviour, but they are not coping either after the loss of
Grace's mother and more recently, their farm.
This is a gripping read. We share Grace's friends' disbelief at
Grace's motives, but are engrossed by the fervour of her attempts to
find the truth.
Further complicated when Grace learns that her mother's death was
not accidental, Grace must settle things with her friends before she
can uncover some of the truths about life in this small town.
Convinced by a psychologist that she is depressed, Grace steels
herself to ignore the dreams and voices she hears, but finding a
piece from a cigarette packet in the pocket of William Dean's
leather jacket sets her off on a different path.
This is a gripping thriller which takes the reader into Grace's
mind, following clues that come from the dead girl, but it becomes
clear that it is not Hannah directing her obsession. Her friends try
to help but are distanced by her odd behavior and although they come
to some sort of uneasy peace, the reader knows that Grace will learn
to live without them. It is her family that is the mainstay of her
existence and once she is able to expose the lie at the base of
Hannah's disappearance, they can release the pain and guilt that
hangs between them after Grace's mother's death.
I could not put this down, and reread sections after I had finished,
so gripped was I about the path taken by Grace in solving the
girls's disappearance. I could picture the landscapes so carefully
created by Wakefield, walk through the houses with Grace and run
over the paddocks to her ailing father.
The striking cover will impel young adults to choose it to read, and
they will be stunned by the extraordinary thriller within.
Fran Knight