And the band played Waltzing Matilda by Eric Bogle
Ill. by Bruce Whatley. Allen & Unwin, 2015. ISBN 9781743317051
Is there a more haunting tune about World War I than Eric Bogle's
classic 'And the band played Waltzing Matilda'? Beginning with...
'Now when I was a young man, I carried me pack, and I lived the free
life of a rover From the Murray's green basin to the dusty outback,
well I waltzed my Matilda all over'
it tells the story of a young man, almost any young man of 1915 in
Australia, who took up arms to fight in the war at a time when
Australia was trying to meet its quota for Britain and to not fight
for King and Country branded you a coward.
'They gave me a tin hat and they gave me a gun, and they marched me
away to the war.'
Throughout the song and the journey, from the ship departing, the
slaughter of Gallipoli, the hospital for the wounded and the arrival
of 'the crippled, the wounded, the maimed, the legless, the armless,
the blind, the insane' at Circular Quay, there is the poignant
refrain of the band playing Waltzing Matilda, the iconic song that
many believe should be our national anthem as it connects us in a
way like no other. And finally, as an old man, he sits on his porch
and watches the parade while his comrades pass before him and he
knows that soon, as more old men disappear, 'Someday no one will
march there at all'.
How proud and amazed would be those who came home - and those who
didn't - to see that this is not a forgotten war, they are not
forgotten heroes and rather than no one marching, each year the
crowds at the annual commemorations wherever they are get larger.
But the most provocative stanza is
'And the old men march slowly, old bones stiff and sore
They're tired old heroes from a forgotten war
And the young people ask, "What are they marching for?"
And I ask myself the same question.'
Written in 1971 at the height of the protests against the Vietnam
War, many were wondering that aloud then and as the centenary of 25
April 1915, looms large, we may well all ask ourselves the same
question again. With superb illustrations by Bruce Whatley that show
every emotion of the text - drawn with his left hand because he has
discovered he draws 'with much more emotion' with that hand - and
using the restrained palette that one associates with Gallipoli,
this is a book that has to be in your library's collection as it
will be a song known by everyone before this year is done.
However, this is so much more than one of Australia's leading
illustrators putting pictures to an iconic tune. There are teachers'
notes that provide many ideas for exploring the content, its
imagery and its images, and publishers Allen & Unwin have
released a book
trailer that encapsulates it perfectly. The lyrics and music
are available in the ABC song books of 1983 (Time to sing)
and 1989 (The sing book). A memorable contribution to the
collection of books on this topic.
Barbara Braxton