What Momma left me by Renee Watson
Bloomsbury, 2010, 2019. ISBN: Bloomsbury, 2010, 2019. ISBN: 9781681199498.
(Age: 14+) Recommended. Themes: Family; Friendship; Abuse;
Overcoming difficulty; Resilience; Christian Faith. Renee Watson is
an Afro-American writer drawing on her own community experience to
create a story that weaves the dreadful circumstances of a murder
with the Afro-American experience of Christian life and practice
within a Baptist church family. The central character is a young
Eighth Grade student, Serenity, and with her younger brother Danny,
they have experienced the worst family tragedy. The story reveals
their need to recover after the significant family trauma, which
destroys their family and challenges their own identity and
security. Their grandparents are involved in a Pastoral role in a
Baptist church, and Serenity and Danny become reconnected with them
and make new friends, when they move to restart their lives.
Attending Christian events, volunteering their time and challenging
poor choices, and attending counselling become part of the journey
to recovery. They carry with them baggage from their past, with
attendant tears, and they must also learn how to redefine
themselves. Their new friends have the potential to lead them
astray, but the influence of their grandparents shines through.
The traumatic events and difficult circumstances that are addressed
are quite confronting for a young reader, but there are moments of
lightness scattered through the book, along with delightful pieces
of poetry and other explorations of literary devices. These are
school-based English tasks, that headline the chapters and reveal
Serenity's internal dialogue. The cultural experience of an
Afro-American experience of Christian faith in a church community
will be foreign to most Australian readers, but there are some
delightful and perhaps quirky features of the service-oriented
family life within this context. Those without any Christian
heritage will perhaps find some of this faith-based expression to be
unusual. The author has included risky behaviours for some of the
young characters that include some illegal behaviour, and in
combination with discussion about incestual abuse as well as family
violence, and the keeping of unhelpful secrets, there are some very
complex and mature issues that are dealt with within the lives of
the main characters. Resilience and character formation are woven
through these difficult issues, but sometimes the author seems to
have aged them beyond their stated age.
Recommended, with some reservations, for readers aged 14+.
Carolyn Hull.