Allen
and Unwin, 2007
(a graphic adaptation by Nicki Greenberg)
I came to this book with some trepidation, not knowing how someone
could even give thought to changing a stalwart of literature to a
graphic novel, and with strange creatures representing the characters.
But I was engrossed, not quite from the start, but it certainly took me
in the more I read. Drawn as a powder puff on a twig with a female body
at the end of a long neck the wonderful character of Daisy, evokes our
sympathy as she is revealed with all her insecurities and regrets, the
epitome of a vacuous existence, the woman we all have seen splashed
across the pages of women's magazines.
Her husband the brutish Tom, is drawn as a great lump of a man, hair
sprouting from his chest and arms, elephant ears, beady eyes, and pig
like teeth. Gatsby is an ephemeral sea dragon, with small eyes that
peer lovingly at Daisy, always worried lest he do the wrong thing in
her eyes. He lives only for her, his house and lifestyle built around
the possibility of seeing her.
Each page has between 4 and 6 cartoons, drawn in sepia tones on a black
background, with stamp like edging, like photos in an old album.
Moth-like the characters play out their lives against the backdrop of
1920's New York, the Jazz Age, where new money is viewed suspiciously,
but everyone comes to Gatsby's to be seen and exploit his generosity.
For those who read only the graphic novel, the retelling is short but
explicit, for those who go on to the novel, then the experience will be
enhanced through reading both versions. For the astute teacher, reading
the novel would be enhanced with this graphic version, giving as it
does an updated view of the characters, a more modern perspective. The
discussions emanating from such a comparison would be enthralling.
There have been several articles about this graphic novel worth
pursuing. Magpies (September 2007) has an article by the graphic artist
about her book, and The Sunday Age (August) also has a long article
about Nicki Greenberg and her work. Both would be worthwhile as
background for the class studying this novel.
Fran Knight
© Pledger
Consulting, 2007